暂无剧情简介

An interview with film director Roman Polanski, recorded for BBC TV in 1967.

In the small town of Revelstoke, Alaska, local barber Dexter is surprised to learn that the body of Lucy Waters has been discovered. Having killed this woman, days ago, he hoped her body wouldn't be found until spring. Through the eyes of a serial killer, we discover the chilling layer of a weary town whose only concern is another long, dark winter.

A pair of former high school sweet hearts reconnect 10 years later and wonder what could have been.

A stifled city girl encounters a mysterious nomad with a bizarre condition that teleports them inexplicably to every corner of the earth.

In the violent underworld of New Zealand’s outlaw bikers, a warrior torn between two lives, two callings and two families must decide which path defines his true destiny.

Victor, a 37 year old hairstylist at Mexico, has a really standard routine: he works, plays domino, watches soccer and cleans his house. He also likes romantic music and old classic mexican movies. But suddenly, he has to break this routine and go to Rio the Janeiro.

Tony, a barber, becomes enchanted by Alice, a young newsgirl, and the two quickly fall in love. However, their happiness is soon disrupted when Alice’s sister, Florence, a vaudeville performer, returns from her tour and captures Tony’s attention. As Alice struggles with the shifting affections, she faces a difficult emotional challenge. With a mix of humor and drama, the film explores themes of love, jealousy, and the complexities of relationships in a lighthearted yet poignant way.

Prominent personalities and real people share their personal life stories, from the barber's chair.

The Nomad's Redemption is a cinematic exploration of movement, memory, and self-confrontation following a journey where redemption is not a destination, but a process unfolding along the way. The story of two individuals in two distant landscapes, each searching for redemption. Two lives. Two distant worlds. One shared longing for meaning.